Anatomy of a PawPetShow

During Eurofurence 21 there was no PawPetShow like all the other years.

However there was a 3 hour panel showing how the PawPetShows are made, how they are set up, how a show is performed, what goes into the creation of pawpets, props, backdrop and stage and everything else.

I improvised a recording of the panel with whatever gear I could grab shortly before leaving for EF21.
So it was just me operating 3 cameras (Blackmagic Pocket and an old GH2) at the same time instead of a small crew of volunteers and a well organized and carefully planned selection of collected and borrowed equipment.
Sadly I forgot my audio recorder at home, and could only connect a borrowed microphone to the one camera that has extremely noisy audio circuit (adapter for the GH2 was with the recorder).
Thanks to Draconius for that one. The sound would have been even worse without it.

Enjoy!

Update: one video clip was missing. An im proved version has been uploaded.

PawPetShow in Kölner Kino gezeigt

Tirmagon hat in Köln das kleines Kino “Filmpalette” gemietet und dort die 5te PawPetShow von Eurofurence 10 gezeigt.

Die Gruppe war recht klein und sowohl die Show selbst als auch die gezeigte Video-Qualität vor 10 Jahren hatte natürlich nicht annähernd den enormen, heutigen Standard.
Auf jeden Fall war es aber eine super lustige Story und das Kino mit dem kleinen Essen hinterher ein sehr angenehmes Furmeet.

Ich habe ein sehr kurzes Video zusammengeschnitten, als Erinnerung an dieses ungewöhnliche Ereigniss.

PS: Das Script der Show wurde von Eisfuchs veröffentlicht und ist hier zu finden.

Eurofurence 19 Paw Pet Show “End Tide” finished!

 

6 month of preparation

5 Camera furs

3 month of editing

it is finally done!

Thanks a lot to my helpers:
Arctic Steve
Digitalc
Draconius
Ragear!
Also thanks to Cheetah for the intermissions ans BBF for the opening sequence!

Our unofficial PawPetShow video for 2013. This is the first time I worked in a team like this and of cause we did have miscommunication about framing, misunderstandings leading to a missing backup camera, technical difficulties due to simple inexperience with borrowed equipment in addition to the usual issues.

But all of us learned a lot and we’ll be better next year! (I for once learned how much work rotoscoping is. I still have nightmares about frame by frame editing.)

See here for the thread in Eurofurence Forum!

 

Eurofurence 18 Paw Pet Show “Pompeji” done

I already posted a preview , done right in the EF hotel lobby.
After that it took much longer then I planned for to finalise this recording.
Nearly done my editor crashed on me and scrambled all the carefully arranged and tweaked timeline, ruining many month of work.
Running my business left less time then I thought it would.

But now it is done!
My unofficial Paw Pet Show recording of 2012.

A little background on what has changed since the preview:
Due to the fact that I had do handle 2 cameras from within the audience myself and one was è seats away from me, it’s focus was slight off.
Not as much as with the lens mount issue in 2011 but still noticeable next to the super sharp closeups.
Luckily Paw TV was also recording and let me use some of their footage to cover this up. Their cameras also had less problems recording the DLP projector with its spinning colour wheel.
It still led to some of the cuts being in places where I would have liked not to change the camera at all.
Also our primary audio simply didn’t work (checked batteries, cables, usage instructions with the helper operating it,… before the show). So the sound comes from the first fallback microphone on camera 2. It does have more echo from the room then I would like it to have. In 2 placed I had to use audio from camera 3 as number 2 had people from the audience talking.
Since the closeups where done with me holding a monopod, it was very slowly swinging back and forth. So I used extensive motion tracking to counter that as much as possible.
With the 2 additional camera angles we got 2 the cameras that didn’t match the colors and exposure of the other 3,so a lot of color correction was done on all the shots. (A first time for me.)
For the short reference to the EF pool area, I found footage I was allowed to use. However that required features tracking during a zoom to hide the faces in a separate compositing program. Something else I haven’t done before.
… learned a lot doing this show. 🙂

Next year I hope for 1 or 2 additional volunteers, so someone else can have an eye on the camera doing the wide shot and intervene if it’s slightly out of focus (I can only focus on the closed curtains before the show and guess about the distance to the stage) or too bright /dark during a very dark or very bright scene.
I’m also hoping to replace one of my cheap cameras with one that has more dynamic range =can render bright patches in a dark scene like the cave better.

Eurofurence 18

Paw Pet Show “Pompeii” (SNEAK PREVIEW).
Stay tuned See here for the final version!

Last year’s Pawpet Show “Year of the Rat”: is here

Discussion in the EF Forum.
The scrips hosted by Eisfuchs: here.
Due to the lack of an official DVD I made the effort of doing a fan recording of the Paw Pet Show again.
If there ever is such a DVD, I’ll be the first to buy it and so should you!
Think backstage cam, at least one pawperteer seen wearing a GoPro, audio commentary, original video clips and leave out all the mistakes and limitations of this one… should be awesome.

Technical background:
What you see above is recorded from within the audience with reprogrammed photo cameras and no prior knowledge about the show. Some wide shots are out of focus and/or overexposed because I could neither notice nor change this as that camera was 2 seats away from where I was sitting. I’ll try to get a wide shot from other people who recorded the same show to replace the worst parts.
I was handing the camera for the closeups and had a hard time manually adjusting exposure as it constantly tried to overexpose white fur against a dark background and adjusting focus as the lens would not keep the focus point while zooming. Also due do being in the audience I was limited to a monopod with a cheap video head instead of a heavy and steady tripod. Thus a lot of tracking in post-production is needed to reduce the effect of the monopod swinging back and forth whenever I needed to touch the camera.
The layout and distances of the stage and chair-layout where scouted out during the opening ceremony. With a 1.86x crop factor 25mm was slightly too wide for a wide shot of the stage, 40mm was okay for the projectors and 100-175mm worked very well for closeups. Like in previous years many scenes where very dark. f1.4 worked well but the closeups where limited to f4.5, so I had to push ISO above 1600 introducing clearly visible noise.
Ragear volunteered to take one of my cameras and record the projection screens. At 1/25s of a second I had the least flickering but there was no setting that completely eleminated the flicker.
Dragon Emotion volunteered to take my audio recorder with 2 shotgun microphones to record an very dry sound track but the power supply failed despite fresh batteries and an external secondary power source.
So the sound was recorded by the wide-shot camera using an omnidirectional microphone.

Opening ceremony:

Basically recorded as a first and final “dress rehersal” for the equipment and to determine what sound, settings and focal lengthes would be used during the Paw Pet Show.

Photos
I made some

Europapark

 

As a group of German and Switzer furs we visited Europapark last saturday. I so happened to have a GoPro that I wanted to test.
So I took along me to play around with and recorded most of the rides. The sound of the GoPro is quite bad and it got terribly noisy after sunset (Wodan). I also found that motion tracking doesn’t help much with the remaining shaking. Leaving the shaking however helps to convey the actual speed.
Eurostar had to be cut short as that ride is simply in complete darkness and the ill decoupled microphone doesn’t convey the ride at all.
In River Raftig I was expected more action and splashing. Recording in 50fps to allow for some limited slow motion (No need to sacrifice resolution to get 120fps) proved unnecessary.
May own voice is much too loud compared to the others and very distorted when I scream.

Status:

finished: Blue Fire, Rafting, Vindjammer, Wale Adventure Splash Tours, Wodan, Silver Star, Credits

working on: